![]() ![]() A particularly significant achievement was its polyphonic sound, which was created without the use of any polyphonic synthesizers (which were not yet commercially released). The album's contributions to electronic music included an ambience resembling a symphony orchestra, the use of reverberation, the use of phasing and flanging to create a spatial audio effect with stereo speakers, electronic surround sound using four speakers, realistic string simulations, portamento whistles, and abstract bell-like sounds created using ring modulation. ![]() It sparked a "revolution in synthesizer programming" which it was responsible for taking to new heights. ![]() The album is considered an early example of proto- synthpop. Thus, the term tone painting is quite appropriate, in that Debussy's compositions often experimented with a much broader palette of tones, allowing each to behave similar to a colour within an illustration. The use of the term tone paintings here describes the nature of a large portion of Debussy's work which was concerned with mood and colour, eschewing traditional tonality in favour of constructions such as the full-tonal scale, parallel chords, bitonality, and to a certain extent atonality, in order to achieve a greater degree of musical expression not allowed by strict adherence to a single key.
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